Baseball cards
$5,500.00
Sold as a complete bundle only. Includes 14 iconic titles over 44 issues
The popular style of EC Comics (Entertaining Comics, mainly active in the late 1940s–mid 1950s) is remembered as one of the most distinctive and influential in comic history.
EC Comics’ popular style was defined by gritty realism, cinematic artwork, and sharp, ironic storytelling that pushed the boundaries of the medium. Best known for horror, crime, science fiction, and war titles, their comics combined highly detailed, shadow-drenched art with expressive characters and richly textured settings. Stories often carried moral lessons with shocking twist endings, delivered by ghoulish hosts like the Crypt-Keeper who balanced gruesome tales with a wink of dark humor. At once lurid and intelligent, EC’s blend of macabre themes, biting satire, and even socially conscious commentary created a distinctive brand that felt provocative, dangerous, and unforgettable.
EC published distinct lines of titles under its Entertaining Comics umbrella. Most notorious were its horror books, Tales from the Crypt, The Vault of Horror and The Haunt of Fear.
These titles reveled in a gruesome joie de vivre, with grimly ironic fates meted out to many of the stories’ protagonists. The company’s war comics Frontline Combat and Two-Fisted Tales often featured weary-eyed, unheroic stories out of step with the jingoistic times. Shock SuspenStories tackled weighty issues such as racism, sex, drug use and the American way of life. EC always claimed to be “proudest of our science fiction titles”, with Weird Science and Weird Fantasy publishing stories unlike the space opera found in such titles as Fiction House’s Planet Comics. Crime SuspenStories had many parallels with film noir. As noted by Max Allan Collins in his story annotations for Russ Cochran’s 1983 hardcover reprint of Crime SuspenStories, Johnny Craig had developed a “film noir-ish bag of effects” in his visuals, while characters and themes found in the crime stories often showed the strong influence of writers associated with film noir, notably James M. Cain.
RAW Comics: The image shown is for issue reference only, and does not represent the condition or variant of the actual issue on sale.
Graded Comics: The images shown are the photographs taken at CGC of the actual slab being offered on sale.
Baseball cards: The image shown is a photograph taken of the physical card.
Any grading references made by Comics Direct USA is a guide only, unless CGC graded. Any major defects will be noted above.
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